Table of contents
Articles
Compositional planning of “Nomos” according to Gestalt principles
- Helder Alves de Oliveira
- Liduino Pitombeira
Capturing, Tracing, Transferring the aural flux Convergence, interactivity, in situ composition and emergent-instruments in […]S[…]S[…]S[…]
- Mauricio Arturo Meza Ruiz
Compositional Planning of Pitombeira’s “Incelença” from “Brazilian Landscapes No. 15” through the Systemic Modeling of Guarnieri’s “Ponteio No.6”
- Liduino Pitombeira
Interfacing Gestural Data from Instrumentalists
- Martin Jaroszewicz
Migration, Melancholy and Identity
- Paulo C. Chagas
The unified colour and the division of orchestral phrases in Kaija Saariaho’s “Laterna Magica”: the modelling process as a guideline for compositional decisions
- Rodrigo Meine
